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Why Historical Violinists Tune to A=415 (and Why You Should Try It)
Sound Léna Ruisz 29/01/2026 Sound Léna Ruisz 29/01/2026

Why Historical Violinists Tune to A=415 (and Why You Should Try It)

A semitone lower, a whole new palette: what A=415 changes in resonance, response, and phrasing, and how to try it without a new setup.

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Sound Léna Ruisz 15/01/2026 Sound Léna Ruisz 15/01/2026

The Baroque Bow: An (Old) New Way to Shape Sound

Meet the bow that prefers speech to sheer force – and see how it can transform your phrasing, articulation, and connection to sound.

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The Beauty of Gut Strings: Warmth and Expression in Sound
Sound Léna Ruisz 01/01/2026 Sound Léna Ruisz 01/01/2026

The Beauty of Gut Strings: Warmth and Expression in Sound

Why gut strings feel so alive under the bow – and how their warmth and flexibility can change the way you listen and play.

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Holding The Violin With (Or Without) A Chin Rest
Sound Léna Ruisz 01/01/2026 Sound Léna Ruisz 01/01/2026

Holding The Violin With (Or Without) A Chin Rest

Chin-off playing is not a belief system – it is a skill. This article traces how violin holding developed historically and shows how you can explore chin-off safely, without turning your setup into a new religion.

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