Why gut strings feel so alive under the bow – and how their warmth and flexibility can change the way you listen and play.
Online violin lessons can sharpen your ears, simplify your routine, and often speed up progress – with studio-level sound and real connection through the screen.
Curious about HIP but still on a modern violin? Start with mindset and sound, not equipment – and let the historical tools come later.
When practice stops being punishment and becomes awareness, everything changes – sound, ease, and the way you feel with the violin in your hands.
Chin-off playing is not a belief system – it is a skill. This article traces how violin holding developed historically and shows how you can explore chin-off safely, without turning your setup into a new religion.
Returning to the violin is not starting from zero – it is using everything you have lived to shape a more personal, resonant sound.
If the homepage is the short answer, this is the full story – how I think about sound, teaching, Historically Informed Performance, and what it actually feels like to learn in this studio.
HIP is not a costume or a niche – it is a way of thinking that can make your playing clearer, freer, and more deeply expressive.
Returning to the violin is not starting from zero – it is using everything you have lived to shape a more personal, resonant sound.
Your first online violin lesson with me is not an audition, but a calm, human conversation about your playing. In this article, I show you exactly what happens in that first session, so you can start without pressure and still feel genuinely supported.
Why gut strings feel so alive under the bow – and how their warmth and flexibility can change the way you listen and play.
Online violin lessons can sharpen your ears, simplify your routine, and often speed up progress – with studio-level sound and real connection through the screen.
Curious about HIP but still on a modern violin? Start with mindset and sound, not equipment – and let the historical tools come later.
When practice stops being punishment and becomes awareness, everything changes – sound, ease, and the way you feel with the violin in your hands.
Chin-off playing is not a belief system – it is a skill. This article traces how violin holding developed historically and shows how you can explore chin-off safely, without turning your setup into a new religion.
Returning to the violin is not starting from zero – it is using everything you have lived to shape a more personal, resonant sound.
